minimal exposition is a contemporary art blog - art photography, abstract art, sculpture, painting, architecture, minimal photography, abstract photography, video, dance, crafts, performance art, earth art, and new music - for viewers who value images over words.
in april 2011, three concerts at three different venues in new york city will feature world premieres by six composers from three different cities. each work will be performed by one of the fabulous ensembles mtc supports. view trailer
random captures from the terribly entertaining paintfx.biz:
jon rafman, parker ito, micah schippa, tabor robak & john transue are together the digital painting collective paint fx. wetpaint is video capture of their digital canvas.
a little over two years ago i published the first post here and committed to repeat that act daily. today, 800 posts and 166,000 unique visits later, i ran the google image search 'minimal exposition' which returned a lovely, random collection from those posts. no 'best-of' list by any means, no order, no priority. minimal exposition.
administration building of the municipal public transportation company (bvg), berlin the modern construction of the berliner verkehrsbetriebe (bvg) on tempelhofer ufer is adjacent to the museum für verkehr und technik (museum of transportation and technology) in the center of berlin. the elevated track of u-bahn (subway line) 2 passes between the two building complexes. this unusual situation is dramatized at night by a “gate of light“, into which the subway runs. about 250 figures are suspended from the ceiling in the entire front part of the entranceway. the figures, in three different sizes, are staggered in the space, intensifying the perspectival effect of depth. this creates the impression of a floating cloud of figures populating the entranceway in unvarying density. the figures differ in color, so that from a distance, a kind of abstract, pointillist image results. it contrasts in form and material with the austere architecture. in contrast to the nearby museum of transportation and technology, the installation places people in the center. the emblematic image of the various passengers, visible from afar, consciously works with multiple parts that split up into different individuals when approached. the chosen image corresponds more to an atomized scent, an unconnected and weightless feeling, and thus conveys a stance toward transportation in strong contrast to the boastful gesture of the airplane suspended in the neighboring museum of transportation and technology. fotos: anett struth
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oriente 2005
punktum 2003
billard um halbzehn 2001
